The picture on the wall

By Mahreen Khan

It is the faded, framed print on the wall, sometimes hanging slightly lopsided, the paper mottled by a combination of humidity and apathy. Flanked by newer, glossier, airbrushed portraits of less worthy incumbents, most passersby scarcely notice the iconic image of a leader who altered the course of world history and put Pakistan on the map. Quaid- i-Azam Mohammad Ali Jinnah, has been confined within the plastic portrait that adorns every government institution, his life seldom examined, its wisdom untapped and the principles of his politics unapplied.

Perhaps this is due to the depersonalised, unimaginative way in which youngsters are taught the history of this nation. My own knowledge of Quaid-i-Azam centred on the respectful epithet “father of the nation”— a routine fact of general knowledge, devoid of any personal resonance or understanding until Stanley Wolpert’s Jinnah of Pakistan captured my attention. Ironically, it took an American professor to first pen such an authoritative, captivating and incisively written biography which, for me and millions of others, transformed a distant, dutiful respect for the “portrait Quaid” into genuinely heartfelt admiration for the real life Mohammad Ali Jinnah.